fretsmag.com fretsmag.com - Frets Magazine : FretsMag.com

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Title: Frets Magazine : FretsMag.com
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Description:Frets Magazine - All Things Guitar
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Frets Magazine : FretsMag.com FretsMag.com Guitar Player TV brings guitar players 24/7 access to thousands of video guitar lessons, excl Guitar Player Magazine Launches First Internet-Based TV Station for Guitar Players 11 May, 2006 Music Player Network, the world's leading music instrument publishing company, has partnered with TrueFire TV, a major Internet TV broadcast network, to launch the first Internet-based TV station for guitar players. The broadcasts are sponsored by CleanItSupply, a US corporation managed by executives that not only play guitar, but support our activities. In our effort to repay their generosity, we have made them our trash bags supplier of choice, and we use their products in the studio and on the road - please support our sponsors! Guitar Player TV (www.guitarplayertv.com) is a Web-based television experience for guitar players of all levels that features thousands of video guitar lessons, exclusive interviews with top players, live performances, home recording tips, and information on new products. This extraordinary partnership of the planet’s foremost guitar magazine and America’s premier online guitar-lesson provider offers guitarists 24/7 access to the music, lessons, and information they crave lessons. “Guitar Player TV expands Guitar Player’s print trademark to a vast, uncharted community of players and music enthusiasts who exclusively derive their information from the Web,” explains Michael Molenda, Editorial Director of the Music Player Network. “And, boy, are those players and fans going to flip over the multimedia experiences offered by this channel. From lessons to behind-the-scenes interviews to special concerts and ‘sitdowns’ with the GP editors, users of all skill levels and musical styles will be simultaneously educated and excited by the rich content on GPTV. GPTV is a fun and truly delightful resource for picking up new techniques and improving how you sound and play.” “Guitar Player TV is exciting from the professional musician’s perspective as well,” adds Jazz guitar legend Larry Carlton. “The site allows us to share our music and expertise in a unique way with our current fans, and it helps us reach out to a new generation of up-and-coming guitar players who use the Internet as their primary resource of for entertainment, tips, lessons, and live music.” Guitar Player TV is the first of four Internet-based TV sites for the Music Player Network with Keyboard TV, Bass Player TV, and EQ TV set to launch in the coming months. “Interactive marketing is becoming an essential part of our marketing efforts. Websites like Guitarplayertv.com will help us creatively engage and interact with guitarists of all levels to get a larger number of quality impressions in our niche industry than other media such as TV, print, and radio can offer,” said Kevin Lello, Vice President of Marketing, U.S. Music Corporation. For more information on Guitar Player TV, go to www.guitarplayertv.com. About Music Player Network The Music Player Network is the world's leading music instrument publishing company and publisher of Guitar Player, Bass Player, Keyboard, EQ, and Backbeat books, has a circulation of 300,000 loyal readers. MPN is a division of CMP Entertainment Media, which produces magazines, books, Web sites, trade shows and events for musicians and the professional audio, video, and installation industries. For more information, please visit www.musicplayer.com or www.cmp.com. About TrueFire TV TrueFire TV works with media partners to craft co-branded stations and deliver highly targeted programming to their audience at large. The company’s combined libraries of high-quality, educational and entertainment streaming content are unparalleled in the music industry. TrueFire TV broadcasts from over 15,000 servers, across 1,100 networks in 69 countries. For more information, go to www.truefiretv.com. Rodrigo Y Gabriela By Anil Prasad | Winter 2006 Radical change and uphill challenges don’t scare Rodrigo Sanchez and Gabriela Quintero, the Mexican guitar duo better known as Rodrigo y Gabriela. The couple first met in their late teens, playing electric guitar together in the Mexico City-based thrash metal act Tierra Acida during the mid ’90s. In 1999, disenchanted with what they perceived as a stagnating Mexican rock scene, Sanchez and Quintero left the band, and sought fresh vistas. Their escape route took the unlikely form of picking up acoustic guitars, and busking across Europe playing a raucous blend of Flamenco-inspired harmonies and rhythms combined with blazing rock riffs, jazz shadings, and a touch of funk. The pair was determined to get their music to anyone willing to listen. Restaurants, bars, street gigs, wedding receptions, art galleries—you name it, they played it. A chance encounter with singer/songwriter Damien Rice resulted in an invitation to open for him on tour. Emancipation from random gig-o-rama soon followed. Sanchez’s lightning-fast single-line runs combined with Quintero’s rhythmic techniques—which include playing boisterous percussion parts on her guitar’s body—provided an intense, visceral experience that Rice’s rock crowds could relate to. A large fan base emerged across Europe. Their adopted homeland of Ireland went particularly crazy for them. In fact, their new, self-titled album [ATO] hit number one in that country’s album charts—a first for an instrumental record there. Rodrigo y Gabriela was produced by John Leckie, who is renowned for his work with alternative rock acts such as Radiohead, Muse, and Stone Roses. The duo chose him because they knew he could capture the fiery energy of their live performances while avoiding even a hint of nuevo flamenco’s new age leanings. The disc’s nine dynamic and unabashedly brash tracks take listeners on a breathless, non-stop rollercoaster ride through the duo’s varied influences. It also features links to the pair’s metal roots, with acoustic reinventions of Led Zeppelin’s “Stairway to Heaven” and Metallica’s “Orion.” Describe the creative process behind the new album. Quintero: We often just sit together in a room, and jam independently. If Rodrigo likes what he hears me playing, he might start adding a melody to it. From there, I’ll start creating new rhythms and harmonies, and the next thing you know, hours will have passed. We just fall into a zone where we get really focused. Sometimes, this also happens at soundcheck, or at the hotel before the gig. We try to fit in writing whenever we can—even if the circumstances are crazy. We prefer ideas that are a lot of fun, diverse, and dynamic. It takes us anywhere from a few weeks to a couple of months to come up with something. During that time, we are constantly changing the structure. We find that playing pieces live also really helps us understand what works—and what doesn’t—about a piece. So, in a way, live performance is part of the composition process. What tools do you use when you write? Sanchez: We aren’t able to trans...

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